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Getsemanen puutarhassa, koko partituuri
19,90 €
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Sheet music: Getsemanen puutarhassa, full score – Miia Ratilainen
Nuotinnelma
50,00 €
Pienoispassio Matteuksen evankeliumin mukaan, full score. Includes copying rights for conductor, choir, organist, soloists, and cello. Also attached are separate cello parts, from which it is easier for the cellist to play.
Product description
Contents
- Foreword
- Jäi taakse vuori kirkastuksen, virsi 55
- Choir, organ, cello and congregation
- Öljymäellä
- Jesus, Peter and organ
- En tahdo Herrastani
- Choir
- Getsemanen puutarhassa
- Choir, cello and organ
- Enkeleitä erämaahan
- Female choir (or soloist) and organ
- Nukkuvat opetuslapset
- Choir
- Vangitseminen
- Jesus, choir and organ
- Käsiin vihollisien, virsi 56:7
- Congregation and organ
- Pietarin laulu
- Peter and organ
- Tuomittavana
- Reader, Pilate, Jesus, Peter's wife, choir and organ. (This part can be performed by reading only, allowing the work to function as a musical devotion.)
- Jo aivan uupunut
- Cello and organ
- Oi rakkain Jeesukseni, virsi 63
- Choir, cello, congregation and organ
Foreword
Getsemanen puutarhassa was compiled as a master's degree final project for a cantor at the Sibelius Academy. At that time, a cantor brought up the thought that it is difficult to find usable music for a church choir for Holy Week. This gave rise to the idea of composing Finnish and relatively easily accessible music, through which it would be possible to enter into the atmosphere of Holy Week.
The miniature passion has been compiled with the idea that it can be performed with a relatively small ensemble: besides the choir, only an organist and a cellist are needed. Of course, soloists are also needed for the parts of Peter, Jesus, Pilate and his wife, but singers for these can likely be found, for example, from among the choir members. I feel it is important that the congregation also gets to participate, which is why congregational songs are also included.
In terms of timing, Getsemanen puutarhassa is best suited to be performed between Palm Sunday and Maundy Thursday, in which case it can serve as a link between the holy days. The institution of the Lord's Supper and the crucifixion have intentionally been left out of the work. In this way, the feast days are not deprived of their deepest message.
I hope that through the work, the events of Holy Week could come close to the listener and that, despite its dark tone, it would bring hope from the light of the sacrifice of the cross.
Credits
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